Titans of the Italian Renaissance
(single talk or 3-part series)

The High Renaissance was a brief - 30 year - tranquil period at the end of the 15th and start of the 16th centuries when the technical mastery to produce illusionistic art and the desire to make classically-inspired art came together in the hands of profound thinkers.  

We'll look at a rich variety of images by Leonardo da Vinci, Michelangelo, and Raphael while exploring their personal stories and the times in which they lived as well as their contributions to art.  

Celebrities, courted by princes and popes, these men produced some of the most influential works of western art.

Sensuous Poetry: The Art of 16th Century Venice

Bellini, Giorgione, Tiziano – even their names are poetic.  Their art was no less so.  Venetian artists revel in the sensuality of color and the glory of the female form.  Compared to the Venetians, contemporary Renaissance Italians painted only prose.

Stars of the Seventeenth Century
Rembrandt, Caravaggio, Bernini
(single talk or 3-part series)

This series looks in depth at the life and work of three great European artists, the Dutch master painter and printmaker Rembrandt van Rijn plus two of his Italian contemporaries, the painter Caravaggio and sculptor-architect Gianlorenzo Bernini.  

All three were immensely skillful and innovative artists whose lives, like their artworks, were full of drama and emotion.

These talks should increase enjoyment of the Rembrandt exhibition opening at the DIA Nov 20, 2011.  

Manet to Picasso

This richly illustrated talk presents artists of the late 19th and early 20th centuries who changed the course of western art.  

The 3 Ms who Changed French Art:
Manet, Monet and Matisse
(single talks or 3-part series)

This course offers an in-depth look at three great French artists.  Despite harsh criticism by their contemporaries, their rebellions against the strictures of academic painting succeeded in changing the course of Western art. 

Session 1:    Edouard Manet who sought to update the Old Masters with contemporary realism, never understanding why his revolutionary works were so shocking to his contemporaries.

Session 2:     Claude Monet who tried to capture the transitory nature of vision, becoming the father of Impressionism.

Session 3:     Henri Matisse who wanted to create a world of harmony and color, an art of balance, purity, and serenity.  His experiments with color pushed the boundaries of art so far that even his patron called one of his paintings "the nastiest smear of paint I have ever seen."

American Impressionism

American artists studying academic art in Paris in the late 19th century were exposed to Impressionism. At first most excoriated it as their teachers did - "It was worse than a chamber of horrors" wrote J. Alden Weir after visiting the 3rd Impressionist show.

Mary Cassatt was the only American to exhibit with the French Impressionists.  By the late 1880s other Americans were experimenting with the style and bringing it back to America. 

The Ten American Painters made it the most loved style in America in the first decades of the 20th century.  Find out why it was so pleasing. 

Paul Gauguin: Dreaming amid Nature

Art is abstraction when you dream amid nature

We can tell many stories about the Post-Impressionist artist Paul Gauguin:

• How he turned from banker to impoverished artist.

• How he escaped from the "artificial and conventional" Paris to seek the primitive

• How he fought with Vincent van Gogh over what art should be

• How he went from husband and father of five to seek love on tropical islands.

We'll touch on all these but focus on Gauguin's emergence from a mediocre impressionist to a strong original artist who left a legacy that influenced 20th century artists.

Georgia O'Keeffe

O'Keeffe was one of the first artists to experiment with abstraction in America.  Her large paintings of flowers were designed to make even busy New Yorkers want to stop and examine them.  We'll follow her long career from her early drawings to the paintings of her beloved New Mexico.  Her obituary in the New York Times declared "Her colors dazzled, her erotic implications provoked and stimulated, her subjects astonished and amused." 

Painters of Urban Life: The Ashcan School

In the early 20th century the cities of America were expanding rapidly with immigrants from rural areas and overseas creating a lively mix of rich and poor, parks and tenements.  Artists flocked to New York to teach and to study. This talk focuses on those artists, such as John Sloan, George Bellows, and Maurice Prendergast who depicted scenes of life in city streets, parks, and bars.